How to make drum and bass in ableton live

11.06.2021 By Kagabar

how to make drum and bass in ableton live

Modern Drum & Bass Production in Ableton Live TUTORiAL

Jun 21, †Ј How To Make Drum and Bass in Ableton Live: Making The Drums - YouTube. How To Make Drum and Bass in Ableton Live: Making The Drums. Watch later. Share. Dec 21, †Ј We explore how to create a Drum and Bass beat inside of Ableton Live 10, this video is aimed at beginners but you would be surprised what an advanced produce.

Genre: Drum and Bass. Download Taster Pack. View all titles from 5Pin Media. Please download the free-taster to experience the rush for yourself. Loopmasters do not have nor do they claim any association with or endorsement by these brands. Any goodwill attached to those brands rest with the brand owner.

Loopmasters or its Suppliers do not accept any liability in relation to the content of the sample or the accuracy of the description. Broken Beats. Disco Nu Disco. DJ Tools. Downtempo Ambient Chillout Trip Hop.

Free Samples. Hard Dance Hardcore. IDM Electro Glitch. Live Music. Music Courses. Pop Future Pop Indie Pop. Reggae Dancehall Dub Reggaeton. Sound Archives. Maie Psy Trance. Trap Chill Trap Drill. Genre: Drum and Bass Additional Styles:. Key Features Stripped drum loops for "mix n match" flexibilty. Complex Bass compositions with separated out layers for maximum flexibility and creativity.

Loyalty Programme about rewards Virtual Cash. Document One The drums are lige sounding and with a wide variety of styles and loops to what do dietitians do in hospitals with different grooves. This is something not many sample packs do, so we talk very highly of any sample pack which does so. All rights reserved.

Drum & Bass Ableton Live TUTORiAL

Oct 30, †Ј How to Make Drum and Bass Music || Ableton Live EDM Tutorial. Watch later. Share. Copy link. Info. Shopping. Tap to unmute. If playback doesn't begin . Nov 07, †Ј In this course by drum and bass giant Joe Ford, youТll learn how to create powerful drums and roaring basses by implementing advanced sound design techniques Joe uses to create his signature drum n bass sounds. By the end of this course, youТll have every tool needed to create a modern, exciting drum and bass track! Learn how to make drum and bass (in the style of Wilkinson, Sub Focus and Hospital Records) in this drum and bass tutorial. In this step-by-step drum and bass production tutorial, I ONLY use the stock plugins that come with Ableton Live 10, and you can download it for free and play Тtil your little heartТs content Ц breaking apart my methods and using them yourself.

It includes:. As eager as you may be to get into the nitty-gritty of producing DNB, there are a few important points to consider that are essential for any sort of success. You might expect to read this article and walk away as a master of drum and bass production. Let me disappoint you Ч that will not happen. While this article aims to be as comprehensive as possible, you must dedicate time and effort into your craft in order to become a good producer.

What this article will do is provide you with a solid framework for making DNB. No more short YouTube videos showing you how to make a particular bass as much as they can be helpful. This article will give you the knowledge necessary to make a drum and bass track from start to finish. So my recommendation would be to follow along in your DAW as you walk through the article. That way, you will maximize your potential for improving as a music producer. You can have both heaving basslines and soothing pads across the spectrum of subgenres.

Here are the main:. Across this guide, we will provide alternative paths that you could go on depending on the subgenre you are planning on making and we may also do a dedicated guide for each in the future. Most drum and bass tends to be written between bpm, with the majority falling at bpm , as it seems to have a fast enough pace without being too fast.

More on this later. Subgenres aside, the drum patterns in drum and bass tend to stay very similar in terms of rhythm. This kick-snare pattern can have many other variations too, such as the extra snare or one less kick, etc:. The sound of the kick and snare are crucial to the energy level of the track and therefore the genre you are making. Whereas if you were making liquid or minimal, you would have snappier, softer samples that perhaps sit a bit higher in the frequency spectrum.

You can program a basic shuffle with some hats, percussion and or ghost snares. Or, there are many samples out there that can be used as pre-made shuffles. Tip: Ghost snares are just normal snares, traditionally played by a drummer to vary up the rhythm and velocity of a drum pattern. In production, this may be emulated through the use of different snare samples. Apart from the shuffle, the other factor that can dramatically change the feel of the track is the hats, percussion and use of sampled breaks.

Once again, consider the rhythm when layering in percussion and hats. But to add more interest, you could add a ride on the offbeats that pokes out a little more in the mix, giving the loop a human feel. Depending on the style, you may also want to consider layering in some classic breakbeats, which are particularly utilized in Jungle many jungle tracks just use a sampled breakbeat.

Not only do these add extra rhythmic interest, but also textural interest, due to the age of the recordings and the technology used at the time. If you want to get creative, you can get a drum instrument plugin e. Addictive Drums and program your own human drum patterns, and then process them to taste to add your own textures. This is not necessary but can give you greater control. Today, a lot of drum and bass tracks combine these techniques with synthesized and processed drums to give you more control and power.

Apart from our free sample pack, using a service like Splice Sounds sponsored link or Loopcloud can help you find the particular sounds you are looking for. A few pointers:.

Use high-quality samples and your life will be much easier. Many producers have chopped and recorded these drum loops for you to use and download, so a quick Google search should suffice. Recommended: Free Sample Packs.

Most DNB basses occupy the sub-bass frequency range, which is typically from about Hz downwards. This is the frequency range that is well-reproduced by a subwoofer and that vibrates the human body. Because this range can be very temperamental and important to get write, a lot of drum and bass tends to be written in keys like E Minor, F Minor and F Minor. Frequencies under D 1 However, frequencies about G 1 A sine wave used above works well as it clearly reproduces the dedicated frequency, which is once again ideal for club use and clean bass.

So to compensate, you can add a subtle amount of saturation to warm up the sound. But in more intense genres, more distortion and FX can be used to add energy, colour and interest.

The use of them varies between subgenres, but typically they feature longer, drawn-out bass notes with subtle movement over time. In higher-energy genres, the basses can have a lot more variation and quicker movements. A lot of the time, producers opt to layer this with a clean sine layer to still get that deep bass feeling. Recommended: Sound Design Tips. Truth be told, all genres of DnB make use of some sort of melodic or harmonic idea, even if very vague and through the use of samples.

In fact, DnB borrowed a lot of sampling techniques from hip-hop in its heyday. Sampling is still a major part, and traditionally this was done by sampling a lot of funk, soul and jazz records a lot of the time done without clearance too, which is harder these days. There are lots of royalty-free samples you can use on platforms like Splice to find musical loops and samples to chop, mangle and process into your own DNB productions.

In the majority of DNB, tracks are written in a minor key. The most simple FX used are sweeps of white noise and crashes, which are standard for electronic music across the board. But they can also vary a lot more than that, with pitching oscillators, moving filters and raging distortion. As always, more subtle, less aggressive sounds can be used in genres like liquid and minimal, whereas intense FX would be used in neuro, jump up and dancefloor.

You can find different risers, downlifters and impacts from sample packs, or you can synthesize them on your own. Like with many genres, you can use all sorts of creative FX Ч because drum and bass is not limited to just tension-building sounds.

The key here is to think outside the box. Drum and bass is a loop-heavy genre and therefore has a lot of repetition with subtle addition, subtraction and manipulation over time. While the number of channels used in a project can be very workflow-dependant , generally you could get away with anywhere between channels for most tracks, going beyond that for more complex bass-oriented genres Neurofunk etc.

This is due to the number of different bass sounds used in those genres, and even if they only occur once in the track, they may need their own channel.

The process of mixing DnB has to be done in a very particular way, otherwise, you can end up with a weak and messy track. The aim when mixing DNB is to have a very balanced mix while not compromising musicality.

Heavy amounts of compression and distortion may be used for a lot of the bass sounds, but often there is still movement in the dynamics. In terms of volume, you want the drums to poke through fairly well, generally with the kick and snare sitting slightly above the rest of the drums. Secondly, the level of the bass should be fairly on par with the drums. Any melodies, hook elements and instruments usually sit just under the drums and bass, creating a nice bed for the rest of the track, and FX are usually pushed a bit more towards the background, maybe coming in louder during builds and energy changes.

On my most recent liquid track, I spent a lot of work on the mixdown, even changing things by 0. This is typically achieved by using high-pass filters to roll off and unnecessary low end.

Make sure to EQ in the context of other sounds to hear things relatively. Make sure to use reductive EQ to take out problem frequencies. These problem frequencies can build up anywhere on the spectrum depending on genre , but normally too much Hz can make a track sound muddy, and too much 1k-3k can start to sound sharp and too resonant, as our ears are very sensitive to this area. How much gain to reduce is simply a matter of context.

Err on the side of less, otherwise, you may affect the sound too much and therefore it will lose its character. Of course, boosting is also fine, but use it sparingly. Fast compression can be used to tame overly-punchy drums and slower compression can be used to even out groups and other sounds. Just be careful when using it on the mids as it can make a mix sound overly processed.

Recommended: Mixing EDM. Saturation, reverb, delay and other effects are also great tools to use when you need to use them.

There are no specific use cases, so feel free to use them subtly to add interest and warmth to your channels and groups.

Many labels will get their own mastering done as well. Normally on the default settings with no more than dB of gain reduction after adjusting the threshold. If the highs are too piercing, you might want to control them with some fast yet subtle compression above 10kHz. As you can customize the settings for each band, you can get a much more transparent form of compression than the standard variety.

I repeat this process until I get the desired result. Any questions? Hit me up at [email protected]. Learn how to master the fundamentals of electronic music production with the best roadmap for new producers.

Learn Production. Genres have come and gone over the years, but drum and bass has always held its ground. Aden Russell. With 10 years of music production experience and some marketing chops, I head up the content here at EDMProd. I also make music under Artsea. My pastimes include reading, drinking coffee and taking photos.

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